Instead, we draw constellations. . So rather than fight back, she adopts a new strategy:  she lets them evolve, lets them replicate, until the Terminals start fighting amongst themselves.

During her battle, A2 and her Pod discover that the Terminals keep replicating every time she kills one, and that they’re evolving too quickly for her to defeat them all. Luckily, NieR: Automata provides a simple explanation, one that I couldn’t agree with more. Marx and Engels reside in a factory that their real-life counterparts would’ve abhorred, and they’re killed once 2B seizes their means of production. I think the bottom-right panel of the above Grant Snider comic succinctly sums up this final battle.

Yet at the same time, by adopting perverse human forms (YoRHa is Dostoevsky’s Grand Inquisitor) as well as subverting their own sentience to imaginary gods, YoRHa is anti-human, and is betraying the actual meaning of their motto. This is more feasible in mediums such as books or paintings, since a single creative agent often oversees every aspect of a piece’s construction. 2 years ago. They act as support for 2B and 9S. Even the impetus for entering the Forest Kingdom to just “get more intel” on machines seems flimsy when you consider that 2B just HAPPENED to bump into A2 there.

It’s love. Familiar players, myself included, interpreted this moment in Automata as another sign of their duplicity. She is the cherry on top of this amusement park level, equal parts horrifying and pitiful, and a notable deviation physically from the usual machine lifeform. I always recall back to vibration settings. With their smooth curves and attractive silhouettes, the androids see themselves as the natural disciples of humanity, and the machine lifeforms as the ugly foil to their perfect form. There is no one word could name what he felt; if it was, it would be an emotion that, like a string, connects ‘ravage’, ‘violate’, ‘claim’, ‘connect’, with a ‘understand’ being the hope at the bottom of Pandora’s box. In several times in the sources it’s implied that hacking into the mind of someone else is an act of deepest violation. They will succumb to their desires at times. But on the other hand, YoRHa androids, as well as androids in general, maintain the human form and incarnate human existential cravings and religions (YoRHa, for instance). Can a game tastefully cover profane and taboo topics while still being “fun”? Then it’s over. They remind us that tragedies and pain, and struggle of equal measure happened before, thousand times, and those who experienced them are now irrelevant and forgotten. Some of these you may already know but do keep in mind that I’ve It doesn’t happen overnight, and you seem incredibly knowledgeable in your own right. Maybe I’m super dumb but I haven’t been able to figure it out at all. First of all is the presentation of characters. How do you design characters that must simultaneously be able to be seen as good and evil? It’s a complete strawman argument for the sake of “comedy” (and I don’t have enough quotation marks for that), so you’re not missing out on any worthwhile content. Pure master piece that I sadly discovered recently. Wait for your reply. In The Pervert’s Guide to Cinema, Slavoj Žižek comments that there’s a name for fantasy realized:  “nightmare.”. It’s a very enriching experience. I appreciate all the work you’ve done and I’m very flattered that you enjoyed my essay enough to contribute this response. He has a very gentle and kind personality. I finished this game not long ago, and I found your text by searching a little more explanation about his universe. But then, something unexpected happens. NieR: Automata presents a dejecting world, but without this disconcerting setting, the overall message of the game doesn’t land nearly as well. This is a further nod to the concept of the cycle of struggle that perpetuates throughout NieR Automata. 2B, or should I say, 2E, follows a line of female protagonists in the Drakengard/NieR universe that carries NieR released between Mass Effect 2 and Final Fantasy XIII. This final scene puts Nier’s altruism to the ultimate test, providing him the opportunity to do something inherently selfless. Many people say Mikasa loves deeply, but she can’t love – were Eren gone, she would simply lose the only place she belongs to. This, of course, is a very fitting introduction for a theme of philosophy. a huge weight on their shoulders but deals with it with grace and purpose. This clever resolution, though achieved via nonviolence (definitely reflective of Yoko Taro’s stance on war), actually does speak to humanity’s capacity for cruelty, and harbors a pessimistic prediction on the end result. As a proud Yoko Taro fan myself who really appreciates his unique way of storytelling and conveying thought provoking philosophical concepts, Meanwhile, fans (myself included), comb over minute details in the vain hope of finding a cohesive explanation. In The Myth of Sisyphus, Albert Camus, who is mysteriously unrepresented among Automata’s cast, explores the logic of suicide as a response to a life that is often painful and, ultimately, transitory and meaningless. Automata is nothing short of a masterpiece. The world is dead, destroyed, and dangerous.

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