What we said: This amusing new podcast follows TV outings such as Drunk History and Horrible Histories in making the past that bit more exciting. Though filled with common creepy tropes—picture frames flying off the walls, apparitions lurking near fatal crime scenes, and so on—the tales are far from clichéd. StartUp might be one of the most meta podcasts out there. Gateway Episode: “How Can You Not See This?”. The Daily delivers its news with a human touch, as evidenced by its many retrospectives and profiles; its political series, “The Freshmen;” and standout episodes such as “A Third Grader’s Guide to the Impeachment Hearings” and “When #MeToo Went on Trial.” The show transfixed audiences from the start, and yet the host Michael Barbaro and his team keep outdoing themselves. Hear Here The 20 best podcasts of 2019 Composite: Suki Dhanda / Antonio Olmos / Observer From a foodie Desert … Gateway Episode: “The Last Days of August: Episode One”. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. Staying in step with how this show gets from here to there is easy, but recreating Wortham and Morris’s thinking on your own is impossible. While the episodes don’t directly grapple with this binary, it infuses every story.

Longworth examines the movie’s reception upon its release; its blend of live action and animation; the whiplash career of Hattie McDaniel; and the film’s mid-century revision by Maurice Rapf, a known communist.

Nothing captures the ethos of the show quite like “Billy Carter: Death of the First Brother,” which resurrects the story of President Jimmy Carter’s younger brother—part cowboy, part poet, part drunk, now mostly forgotten. “Life Shows Up” introduces Chayne Hampton, who’s about to be released from prison, dreaming about life outside and worrying about what kind of job he’ll land. The School Colors hosts Mark Winston Griffith and Max Freedman, both of whom have relatives who worked in New York schools during this tumultuous period, trace a path from that strike to the city’s current education landscape, where they argue segregation is entrenched in part by the charter-school system. The scripted musical Anthem: Homunculus features original tunes as good as anything you’d find on Broadway, which is unsurprising, considering the cast: John Cameron Mitchell (who’s also the co-writer and director), Glenn Close, Patti LuPone, and the sensational Cynthia Erivo, among other theater notables. To create something that expands its audience’s understanding of morality is no small task, but this podcast pulls it off.

She has also recently extended her advice towards coworkers with a new show, How’s Work?Available on Spotify and Apple Podcasts, Is there anyone more nerdily charming than Adam Buxton? At first, it seems like the show might just be a trip down memory lane.

When Hillary Frank created The Longest Shortest Time in 2010, nuanced and inclusive discussions of parenting could be hard to come by. Foul, in the very best way. on the year’s best. But it’s not all bad news; Margolis cites one sociologist’s argument that people “operate at the height of their moral code” after a disaster. But in reality, the Edison simply didn’t work—and with false test results sent to real patients, the company claiming to save people was actively risking their health. Gateway Episode: “The Life and Death of Ron Goldman”. It’s a life-changing listen. December 27, 2019 Naomi Elliott.

In another, the hosts reflect on the generational disconnect between themselves and then–17-year-old Billie Eilish, whom they describe as a “superhero super–pop star” for the current moment. There, and throughout, the project’s creator and the series’ host, Nikole Hannah-Jones, brings us up close to the sounds and images of American history, sparking empathetic recognition through audio, including archival recordings.

But this is not a eulogy. In the ’90s, the team seemed to have it all: gorgeous uniforms, an exquisitely talented dunker in Shawn Kemp, and a finals appearance against Michael Jordan and the Chicago Bulls. “Denial at Trump the Hotel” is about the people invested in stoking climate-change skepticism. Cringe-inducing wisdom is the core of their business, whether they’re telling women over 35 not to have wrinkly babies or warning them to tend to their husband’s “physical needs”.Available on Spotify and Apple Podcasts, Elizabeth Holmes was a young, highly successful entrepreneur whose company, Theranos, was valued in the billions and looked set to transform the world of medical testing for the better. But this series from John Cameron Mitchell – creator of rock opera Hedwig and the Angry Inch – is a heartrending and hilarious combination of music, theatre and drama, with standout performances from Glenn Close and Cynthia Erivo.What we said: The junction where podcasts and musicals meet is not a place for everyone, but Mitchell’s new creation is definitely worth a listen. 2019 saw the end of BBC Three’s always hilarious and often harrowing sitcom People Just Do Nothing, which was indebted to the UK’s suburban garage scene as much as it was to The Office. The first narrative podcast from the Pod Save America creators, This Land goes inside the Supreme Court (ideal for audio, given its no-cameras policy) to untangle a potentially ground-shifting case.

According to seismologists, the San Andreas Fault is a ticking time bomb: Radiocarbon dating has determined that a catastrophic earthquake strikes Southern California roughly every 100 years, and the next one is long overdue. Others centered on seeking reconciliation or justice for people who had been hurt by family members or by entire institutions. The framing conceit—a telethon coming to us from the Center Point Trailer Court, in Kansas, where Hedwig once lived—makes for surprisingly listenable audio drama, and doesn’t give me the heebie-jeebies as so many audio dramas do; it’s essentially cabaret, for which Mitchell’s wit, humanity, and warmth are a perfect fit. Finding Fred and its host Carvell Wallace seek, most of all, to understand its subject’s unique compassion. Meanwhile, nobody remembers how to make babies the old-fashioned way, and privileged gay men adopt and abandon kids thoughtlessly. Unfortunately for those who did invest, her business turned out to be a scam, leading to the “very very very scary” tale our podcasters explore.Available on BBC Sounds. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Radiolab host Jad Abumrad helms this exploration of Parton’s personal journey as “a quivering mass of irreconcilable contradictions”, made with love, care and unparalleled access to the woman herself.

This means that when you hit play on his podcast, you might know where the conversation starts but you’ll have no idea where it will end up.

Will be used in accordance with our Privacy Policy. What we said: If People Just Do Nothing’s faux-interview segments and cold sweat-inducing cringe comedy strongly recalled The Office, the podcast sees the lads draw from a different giant of the sitcom world. It opens in 1970s New York City and describes the death of the titular musician, before launching into an audio montage of conspiracy theories about what really happened. What we said: It has been a while since the last season of the podcast that takes you behind bars in San Quentin prison and that’s because things have changed, with host Earlonne Woods now released. A line from the host Ira Glass in “Umbrellas Up,” which follows a young woman to a pro-democracy protest in Hong Kong, reveals the show’s main ethos when Glass explains one of the episode’s motivating factors: “We felt like we weren't seeing many stories where we got to know anybody very well.” It’s so simple, and yet not a single person in the audio space has ever replicated the genius of This American Life.

Gateway Episode: “Prologue or: The Abominable Discretion of Youth”. However they do it, one thing is for sure: You won't want to stop listening. The show blends historical facts, best-guess scenarios, practical tips for survival, and well-paced storytelling, envisioning a reality that people shouldn’t just consider, but also plan for. To revisit this article, select My⁠ ⁠Account, then View saved stories. The title of Sooo Many White Guys announces not the subject matter but the framework: Sooo many white guys are interviewed and producing in the podcast space, and this show exists to counteract that by highlighting artists who are women and people of color. There was just one problem: her company was a sham.

This year, one of its featured stories was a five-part profile of Senate Majority Leader Mitch McConnell—and though many listeners may already feel burned out on congressional politics, bringing a subject that seems drab or exhausting to life is the host Kelly McEvers’s specialty. Save this story for later. The host Rebecca Nagle uses this matter to lay out the larger context of how the U.S. violates the sovereignty of native peoples. Last year, Frank handed the reins to a new host, Andrea Silenzi, who brought a different perspective to the show as someone who doesn’t have children but wants them. In it, the couples therapist navigates issues from infidelity to illness and sex addiction with a no-nonsense but empathetic approach. Created by Steve Crossman and Joel Hammer, The Hurricane Tapes is about the complicated life of Rubin “Hurricane” Carter—his passions, his fears, and the crimes he did and did not commit. with Chris Hayes: shows, hosted by white men of the intelligentsia, that cover current events and interview guests about their current projects and career trajectories. You won’t get many glimpses this good. Yet what Cline did wasn’t technically against the law. Listening to Malek’s character confront a man with a gun, then take to the air to reassure listeners that everything is just fine, is worth putting aside any skepticism you might’ve had about the podcast fiction genre. This season, he’s continued to diversify the topics, voices, and soundscapes featured on the show: “The Episode about Animals” features lighthearted animal factoids and trippy sound engineering, while “Gotcha!” is the surprising story of a radio DJ whose crank call opens his colleague up to love and grief. Another episode looks at Americans who expatriated to Canada and Brazil because their own country had failed them. What’s most shocking about Ear Hustle are the ways in which convicts confront the basest struggles of human existence—the need to be loved, the hunger for food, the right to privacy. The Man in the Window details how rival agencies didn’t communicate with each other and leads went unfollowed. The answer, according to Headlong, is often coercion or manipulation; meanwhile, police are given final say on what airs.

(Hannah-Jones also notably produced two stellar This American Life episodes about segregation.) This year, Brandon Jenkins takes up the task of retelling hip-hop history, dissecting the rise of the genre in Miami.

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