I just figure 50 percent of something is better than 100 percent of nothing. Some music scholars say it translates in Mardi Gras Indian lingo as 'Kiss my ass,' and I’ve read where some think 'Jock-A-Mo' was a court jester. The "Jock-a-mo fee-na-nay" chorus, so central to the song's refrain, is a subject of long debate.

It has been also been covered by Cyndi Lauper, the Grateful Dead (who made "Iko Iko" a staple in their live shows from 1977 onward), Cowboy Mouth, Warren Zevon, Long John Baldry, Dave Matthews & Friends, The Ordinary Boys, Glass Candy, and Sharon, Lois & Bram, among others.

A later version by Zap Mama, with rewritten lyrics, was featured in the opening sequences of the film Mission: Impossible II. Ian Anderson wrote "Aqualung" after looking at pictures of homeless men that his wife took. In fact, Crawford sued the Dixie Cups for ownership of the material, eventually settling for a percentage of performance royalties in 1967. Crawford sued, claiming that “Iko Iko” was the same as his “Jock-A-Mo,” and in 1967 it was settled with him winning no claim to authorship but being credited 25% for public performance of “Iko Iko” in the United States. Required fields are marked *. w & m Rosa Lee Hawkins, Barbara Anne Hawkins & Joan Marie Johnson", http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=18&ti=1,18&Search%5FArg=Iko%20Iko&Search%5FCode=TALL&CNT=25&PID=27067&SEQ=20071224123421&SID=1, "Iko-Iko / words & music by Joe Jones, Sharon Jones, Marilyn Jones, Jessie", http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=36&ti=26,36&Search%5FArg=Iko%20Iko&Search%5FCode=TALL&CNT=25&PID=27067&SEQ=20071224123851&SID=1, "Mission Impossible 2 [Original Score] - Hans Zimmer : Songs, Reviews, Credits, Awards", https://ecf.laed.uscourts.gov/cgi-bin/login.pl, "United States Court of Appeals - Fifth Circuit - FILED - August 29, 2003 - Charles R. Fulbruge III - Clerk", http://www.ca5.uscourts.gov/opinions/unpub/02/02-30473.0.wpd.pdf, Knockin' on Heaven's Door (1997) - Soundtracks, http://www.offbeat.com/2009/04/01/iko-iko-in-search-of-jockomo/, "Iko, Iko Traditional Mardis Gras Indian Call", http://www.bowdoin.edu/faculty/s/smcmahon/courses/hist233/files/Iko_Iko.pdf, "Setlist for May 15, 1977 concert in St. Louis, Mo. In 1964 they had a US #1 single with " Chapel Of Love " for Jerry Leiber and Mike Stoller's Red Bird Label. "Iko Iko" is a much-covered New Orleans song that tells of a parade collision between two "tribes" of Mardi Gras Indians and the traditional confrontation. A translation of Louisiana Creole French interprets the words of the entire chorus as; In a 2009 Offbeat article, however, the Ghanaian social linguist Dr. Evershed Amuzu said the chorus was "definitely West African," reflecting West African tonal patterns. The legal battle was a curious one, given that both recordings essentially culled variations on popular folk materials, and effectively, "Iko Iko" and "Jock-a-mo" appear almost interchangeably in recordings by later artists. [12] The relationship of the song to voodoo practices is celebrated in the movie The Skeleton Key, whose plot revolves around the practice of Hoodoo (folk magic). The story tells of a "spy boy" (i.e. Their ex-manager Joe Jones and his family filed a copyright registration in 1991, alleging that they wrote the song in 1963. Record producer Bob Ezrin talks about his work on such seminal records as Alice Cooper’s Billion Dollar Babies, Pink Floyd’s The Wall and Lou Reed’s Berlin. The song was written and recorded back in the early 1950s by a New Orleans singer named James Crawford who worked under the name of Sugar Boy & the Cane Cutters. I just figure 50% of something is better than 100% of nothing.”. Lyrics to 'Iko Iko' by The Dixie Cups: My grandma and your grandma were Sit-tin' by the fire.

So the original authorship credit went to the members, Barbara Ann Hawkins, her sister Rosa Lee Hawkins and their cousin Joan Marie Johnson. Al Green's "Take Me to the River" describes a baptism. Its meaning is still being debated by scholars and linguists, but “Iko Iko” was first recorded in 1953 by James “Sugar Boy” Crawford, who wrote the pop song “Jock-A-Mo” based on 2 different Mardi Gras Indian chants. Jon Fratelli talks about the band's third album, and the five-year break leading up to it. Grammy-winning record producer Don Was shares studio stories and insight on his work with the Rolling Stones, Bob Dylan, Paul Westerberg, Kris Kristofferson and more. Orrin Keepnews, one of the most respected producers in jazz history, played an integral role in the birth of modern jazz. However, after the musicians had gone home, while the Dixie-Cups were doing some overdubbing, they started singing this traditional New Orleans song among themselves, using only a chair, drumstick, Coke bottle, ashtray, and drums as accompaniment. ", http://www.dharmarose.com/deadbase/dbquery110.php3?id=990, http://web.archive.org/web/20100819100530/http://abita.com/brews/jockamo.php, "Schtärneföifi performing their Iko Iko version at Swiss television", http://videoportal.sf.tv/video?id=d77edd67-ee61-4fa3-91c1-4cabd16697c5, Origins of the song "Iko Iko" - AMG website, https://jaz.fandom.com/wiki/Iko_Iko_(song)?oldid=25026, In 2009, a version based on The Dixie Cups' was used in an ad for, South African artist Kurt Darren created his own version of the song, entitled "Aiko Aiko.

Given that Crawford's song is based on similar New Orleans celebratory ritual sources, including traditional songs from Mardi Gras parades, its closeness to the Dixie Cups' tune is striking.


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